“War of the Worlds – The True Story” A 15 Year Journey to Theaters in June

Seattle, WA (PRWEB) May 19, 2012

Pendragon Pictures announces the US theatrical release of “War of the Worlds – The True Story” in limited engagement showings in theaters beginning June 14 in Seattle at Landmark Theatres Harvard Exit, June 22 in Bellingham, Washington at The Mount Baker Theatre, and June 21-24 in Portland Oregon at the Cinema 21 and The Hollywood Theatre. Pendragon plans to release the sci-fi monster horror movie in California, Arizona and New Mexico beginning in July.

“War of the Worlds – The True Story” follows the eyewitness account of Bertie Wells, the last living survivor of the Earth/Mars War that took place in the year 1900, as he struggles to find his wife amidst the destruction of humankind at the hands of terrifying alien invaders. Like “Forrest Gump,” “War of the Worlds – The True Story” uses cutting edge visual effects to blend a modern cast with battalions of actual fighting soldiers, golden age movie stars, and previously undisclosed images of tentacled alien creatures and their monstrous machines of war.

Based on the most beloved sci-fi novel of all time by H.G. Wells, the movie is the result of a 15-year journey by Director Timothy Hines, Producers Susan Goforth, Donovan Le and a close knit group of artistic collaborators to bring the novel to the big screen. Starting as a $ 42-million production in 2001, Hines had submitted screenplays to and was in talks with the representatives of Charlize Theron and Michael Caine when the events of September 11th put the movie into turn around due to its themes about disaster.

Hines retooled the screenplay and filmed the movie in its original turn of the century setting and released it in 2005. Though the 2005 version earned $ 7 million the movie received mixed to negative reviews. Hines was his own worst critic. The movie was rushed and unfinished, Hines says. The director was deeply unsatisfied.

He spent the next two years going back to the source, studying the history of the story. What drew Hines attention was that “War of the Worlds – The True Story,” written by H. G. Wells, was first published as a series of newspaper articles in 1897, as if they were a factual, on-the-scene newswriters account of the invasion. The series bound into the book, “War of the Worlds – The True Story,” was an instant, cherished best seller and continued to sell many millions of copies over the next 100 years.

Then Hines turned his focus to Halloween Eve, October 30, 1938, when Orson Welles and the Mercury Theatre broadcast “War of the Worlds” on the radio as a series of news bulletins. The result caused listeners to believe an actual alien invasion was occurring. Six million listeners heard the broadcast and nearly three million were genuinely alarmed. There was a firestorm of debate and public focus about the panic. Panic that inspired the U.S. government to keep UFO evidence from the public.

It hit Hines that the elements the book and the radio versions shared was the authenticity of them being presented as news reporting. He decided to make a new movie version of “The War of the Worlds” as if the whole world knows there was a war between Earth and Mars in 1900 and it is part of this worlds history. Based on discovered interviews with the last living survivor of the Earths first recorded interplanetary war, the story unfolds with rich detail as it recounts the history of a world determined to own its birth right in the face of certain doom.

Amongst the talented cast, the role of Ogilvy, the astronomer that discovered the first Martian landing site, is played by Jack Clay. Mr. Clay is Professor Emeritus at the University of Washington, studied under Lee Strasberg and has trained many famous actors, including Stephen Tobolowsky (Ned Ryerson, “Groundhog Day”), and Academy Award winner Kathy Bates who recently did a piece on “Two and a Half Men” as Charlie Harpers Ghost. Having guided generations of actors to successful careers, this is Jack Clay’s only on-screen acting performance.

Pendragons release plans are in response to the quickly changing movie distribution landscape. Producer Susan Goforth says, The movie needs to be in theaters for those who want that large experience. And the realities of the industry are changing for independent picture companies. The movie industry is going through the birthing pains of digital transformation that the music industry went through a decade ago. So we worked out a business model that gives people a chance to see the first ever and most spectacular alien invasion story on the big screen, Wells darkest vision of human passion and sacrifice in the face of interplanetary war.

Producer Donovan Le adds, We are doing what Clint Eastwood did with Malpaso, Robert Rodriquez did with Los Hooligans, Peter Jackson did with Wingnut Films. All artists who took charge of their pictures distribution.

For Hines its all about the experience of viewing. I enjoy watching some movies on my phone, says Hines, But for ‘War of the Worlds – The True Story,’ a movie with ten story high walking machines destroying the Earth, it plays best in theaters.

Advanced tickets for “War of the Worlds – The True Story” are available via Etix at http://www.etix.com/ticket/online/venueSearch.jsp?venue_id=8867

For more information visit http://www.WaroftheWorldstheTrueStory.com

View “War of the Worlds – The True Story” Official Movie Trailer at http://www.youtube.com/watch?v=GAWWDDrrYsA

Like us on Facebook at http://www.facebook.com/WaroftheWorldstheTrueStory

Follow us on Twitter at https://twitter.com/#!/WarWorldsMovie

Members of the Media may request “War of the Worlds – The True Story” EPK and high resolution press photos by emailing PR(at)WaroftheWorldstheTrueStory(dot)com.

SOURCE: Pendragon Pictures

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Unknown – Moguls & Movie Stars: A History of Hollywood, Vol. 3


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Movie Star Bios – Sylvester Stallone – Interviews

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Mumford & Sons feature in new Bluegrass movie documentary The Porchlight Sessions, sponsored by UK banjo retailer Banjos Direct


Norwich, Norfolk, UK (PRWEB UK) 14 April 2012

The Porchlight Sessions features some of the greats of Bluegrass and related music from the 1940s right up to the present day, including artists as diverse as the much venerated Dr. Ralph Stanley and new-folk stars Mumford & Sons. Along the way it spotlights the key Bluegrass instruments: banjo, mandolin, upright bass, guitar and fiddle.

The cast list is a real Whos Who? of the Bluegrass scene across 70 years. The movie features performances by and interviews with Bluegrass heroes and heroines including: Jerry Douglas, Peter Rowan, Del MCoury, Pete Wernick, Bela Fleck, Doc Watson, Abigail Washburn and Alison Brown and numerous others.

The Porchlight Sessions is right up to date and takes a very forward-looking stance, and features new-generation artists as varied as Mumford & Sons, Josh Ritter, Trampled By Turtles, and Crooked Still.

The film traces the evolution of the hillbilly sound following the legacy of the Bluegrass patriarch, Bill Monroe. As a cinematic portrait of the community voice, the film illustrates stories of the originators of the style, while also addressing issues for musicians creating an original statement within the contemporary genre.

The Appalachian Mountains were a cultural crossroads where the influences of Jazz and Blues merged with the folk-songs of Scots-Irish immigrants to create the broad musical tradition of Bluegrass. An exciting journey across Appalachia’s musical legacy, The Porchlight Sessions features performances of great pickers by following the folk tradition either in the depths of the mountains, the big cities, on the road, or while sitting in a rocking chair under porchlight.

Founder and CEO of Banjos Direct, Simon Middleton has become an Associate Producer of the film. He explained: “The Porchlight Sessions makes an utterly convincing case for the continued relevance and soulful appeal of this great musical tradition: and for its vitality and new energy in the hands of young artists.”

“Its a wonderful movie made by a dedicated small team who have done an incredible job on an even more incredibly limited budget. We are very proud to be involved,”

“There is still a great opportunity for other organisations and individuals to support the film, which is now in post-production,” said Middleton.

People wishing to support can find out how to do so at the pledge-funding website Kickstarter.

Film-maker Anna Shwaber, who grew up in Nashville, Tennessee, is the Director/Producer of The Porchlight Sessions and has been working on the film for several years. Schwaber and her team have filmed at dozens of musical events and festivals across many states of the USA, and have worked with hundreds of active musicians as well as researching archive footage, much of which has never been publicly aired.

The Porchlight Sessions will premier in the USA this summer and in the UK later this year.

Company information:

Banjos Direct is the UK’s fastest-growing specialist banjo retailer, leading the renaissance of interest in the banjo amongst players of every age and background. The Norwich-based company is the UK’s leading stockist of USA banjo brands GoldTone and Nechville, and also stocks instruments by Barnes & Mullins, Pilgrim and Tanglewood.

The company has recently launched a campaign to support the resurgence of interest in the banjo called “Welcome to the new era of the banjo”.

Founder and CEO of Banjos Direct, Simon Middleton, is frontman of English-Americana band The Proposition, whose debut album King Snake Devil Shake was released in March this year. Middleton, who was a brand strategy consultant before turning to musical instrument retail, is also the author of several books including ‘Build A Brand In 30 Days’ and the new guide to personal reinvention ‘Brand New You’, published by HayHouse in May 2012.

Find Banjos Direct at http://www.banjosdirect.co.uk.

Email: info(at)banjosdirect(dot)co(dot)uk

Phone: +44 (0) 1603 305800





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